Irma Kukhianidze – Painting with the heart

Irma kukhianidze born on January 21, 1970 in Kutaisi, Georgia. In 1987 she graduated from the Tbilisi Public School # 7 .1984-87 studied in Maisuradze art school. 1989-94 she studied at the State Academy of Arts . In 1993, her first exhibition was held in Greece, the city of Thessaloniki . on 10 October 2010 solo exhibition in the city , the gallery » Varla ,» the visitor and professionals greatly appreciated. On February 17, 2013 The Tea House » Foe-Foe» Irma kukhianidze again met fellow interested in her works. Since 2007 she takes part in the annual group exhibitions. The artist has signed two of the writer’s literary collection Eka Tkhilava – » Ocean Land » and the scholarly monograph «real dendi .

She creates his technically perfect and attractive painting in this space, which is already exhibited abroad besides Georgia. Pomegranates, strange cities, foreign paradises – they can be seen in the paintings of Georgian artist Irma Kukhianidze, in paintings that do not have names – the artist does not title his paintings and entrusts this role to the viewer.

Source ⬇️

https://www.saatchiart.com/irma.kukhianidze

 

Young Do Jeong: exploring human being’s innermost feelings.

The Last Island

Young Do Jeong is a Korean Asian Modern & Contemporary artist who was born in 1985.Hehas been depicting the collision between the inner mind and the external world in his paintings, based on images he acquired while growing up in two different cultures of the East and West.

His paintings are metaphorical and descriptive, exploring human being’s innermost feelings of loss, pain, and misunderstanding through psychoanalytic interpretation.

Jeong’s paintings, createdwith a varietyof mediums including acrylic paint, oil paint, ink, spray, color pencils, graphite, transcend the boundarybetween abstract and representational art, creating a sense of tension within the canvases surface.

Jeong received his B.F.A. in painting at Rhode Island School of Design and an M.F.A. in painting and drawing at Tyler School of Art at Temple University.

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youngdojeong.com

All images copyright Young Do Jeong.

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Stephanie Kilgast: an ode to nature

The Last Island

Inspired by natural forms, Stéphanie Kilgast’s artwork is an ode to nature and its current biodiversity. Plants, mushrooms, insects and other animals encounter in a vibrant swirl of colors under her brush or sculpting tools.

Since 2017, in her series “Discarded Objects”, she grows colorful organic sculptures on manufactured objects, celebrating the beauty of nature in a dialogue with humanity, questioning the lost balance between human activities and nature.

Her work has a cheerful post apocalyptic feel to it, a reassuring reminder that nature has the capacity to grow back, if we only let it.

Her work has been exhibited in North America, Asia, Australia and Europe.

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Website: www.stephaniekilgast.com/

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Lovers, desire & colors … The life behind the art of Nicolleta Tomas Caravia

Nicoletta Tomas Caravia was born in Madrid in 1963 of a Greek mother, Spanish father, grandmother Austrian. She currently reside in Valencia, Spain.

Nicoletta Tomas is a long-standing international painter and illustrator. She travels the world with exquisite skills, rich colors, gentle and keen touch.

The purest aspect of human beings also attracts the audience into their own experience.

«The painting has been growing in me and I in it, we go hand in hand because it is an intimate language between my soul and me. I learn with her. I inhabit the realm of form to let speak deep emotions, my world mirrors the world outside-in. My pictorial motifs, the light of man, his fragility and greatness.»

«I am in a constant search for new ways of artistic expressions, both in style and means.»

🖇 https://nicoletta.info/en/

 

The exquisite art of Toko Shinoda

Photography by Courtesy of Gifu Collection of Modern Arts.

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Toko Shinoda • 篠田 桃紅 (28 March 1913 – 1 March 2021) was a Japanese artist known for sumi ink paintings and prints that blend traditional calligraphy with Modern abstraction.

Influenced by American Abstract Expressionists like Jackson Pollock, Shinoda’s work is characterized by a loose, gestural style and imagery inspired by the natural world. In the 1960s, she began producing lithographs, which has remained her preferred medium to this day.

When she turned 100 years old in 2013, she declared herself married to her work and continued producing art. Shinoda was born on March 28, 1913 in Manchuria, China and returned to Japan when she was two years old. She was taught calligraphy by her father and had her first exhibition at the age of 20, and since then, her work has been shown in the Hague National Museum, the Art Institute of Chicago, the Cincinnati Art Museum, the Brooklyn Museum, the Metropolitan Museum of Art in New York, and other leading institutions around the world.

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New Dimension (Triptych)

Response by Toko Shinoda

Shadow of the Wind by Toko Shinoda

Song of Wood by Toko Shinoda

Toko Shinoda [篠田 桃紅]

 

Female sensitive eyes by Amandine Jacquemet Soares [Painter]

Amandine Jacquemet Soares is a painter born in 1967. She lives and works in Marne (Champagne).  Pursuing a career in photography, she turned to painting.  She tries different techniques and then chooses acrylic, which allows her to better express her universe.  A world inhabited by female figures with delicate features and disproportionate eyes, which gives Amandine Jacquemet’s painting a sensitive character.

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The Thames below Westminster~Claude Monet

Monet was captivated by London’s fog during his first stay in the capital from 1870 to 1871. Later in life he told the art dealer Rene Gimpel: ‘Without the fog, London would not be a beautiful city. It’s the fog that gives it its magnificent breadth.’ This misty composition is anchored by carefully positioned horizontal and vertical structures – the jetty in the foreground, Westminster Bridge marking the horizon, and the Houses of Parliament.

Every architectural element in the picture was new at the time. The Houses of Parliament had only just been finished, as had the Victoria Embankment on the right. St Thomas’ Hospital, the low rectangular shape on the far left, was also nearing completion before opening in the summer of 1871, and Westminster Bridge had been reconstructed in 1862. However, Monet is more interested here in broad effects than architectural detail; indeed he has exaggerated the height of the towers of the Houses of Parliament, making the building seem like a fairy tale palace.

The National Gallery
Trafalgar Square
London
WC2N 5DN
information@ng-london.org.uk
Copyright © 2016–2020 The National Gallery

 

Enigmatic look in the abstract expression, portraits by Faiza Maghni

Self-taught painter from Oran, Faiza Maghni lives and works in Paris for ten years. The painting has long been a desire more or less unconscious and totally obscured that has become natural in the future.

Fascinated by Persian miniatures, Arabic calligraphy, but also by tribal art and contemporary painting, she is inspired in her work and creates her own universe.

Faiza attempts to translate through her portraits the beauty and complexity of women in her paintings symbolized the richness of costume and expression enigmatic look.

Her approach in the abstract expression joins the world of her portraits.

Via: marialaterza.blogspot.com

Faiza Maghni es una pintora autodidacta que nació en Orán, Argelia. Actualmente vive y trabaja en París.

La pintura ha sido durante mucho tiempo un deseo más o menos inconsciente y totalmente oscurecido que se ha vuelto natural en el futuro.

Fascinada por las miniaturas persas, la caligrafía árabe, pero también por el arte tribal y la pintura contemporánea, se inspira en su trabajo y crea su propio universo.

Faiza Maghni intenta traducir, a través de sus retratos, la belleza y la complejidad de las mujeres en sus pinturas que simbolizan la riqueza del vestuario y la expresión enigmática.

Su enfoque en la expresión abstracta se une al mundo de sus retratos.

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Kisses in the rain

Si sabes de su placer no ahorres el beso
que el gozo de amar no comporta medida.
Déjate besar, y tú besa después
que es siempre a los labios que el amor perdura.

No beses, no, como el esclavo y el creyente,
más como peatón en la fuente regalada.
Déjate besar -sacrificio ferviente-
como más al rojo vivo más fiel el beso.

¿Qué habrías hecho si morías antes
sin otro fruto que el oreo en tu mejilla?
Déjate besar, y en el pecho, en las manos,
amante o amada -la copa bien alta.

Cuando beses, bebe, cure el vaso el temor:
besa en el cuello, la más bella contrada.
Déjate besar y si te quedaba añoranza
besa de nuevo, que la vida está contada.

«Mester d’amor» (Joan Salvat-Papasseit)

«Kisses In The Rain»
Joseph Lorusso🖼

 

Leonora Carrington Artist #Art #Surrealism

The Last Island

Leonora Carrington

Born: April 6, 1917 – Clayton Green, Lancashire, England

Died: May 25, 2011 – Mexico City, Mexico

«I didn’t have time to be anyone’s muse… I was too busy rebelling against my family and learning to be an artist.»

Synopsis

Leonora Carrington established herself as both a key figure in the Surrealist movement and an artist of remarkable individuality. Her biography is colorful, including a romance with the older artist Max Ernst, an escape from the Nazis during World War II, mental illness, and expatriate life in Mexico. In her art, her dreamlike, often highly detailed compositions of fantastical creatures in otherworldly settings are based on an intensely personal symbolism. The artist herself preferred not to explain this private visual language to others. However, themes of metamorphosis and magic, as well as frequent whimsy, have given her art an enduring appeal.

©2018 The Art Story Foundation.
All Rights…

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